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    thesing”;butneveroneinaisethatthepathof”literature”isbeingdetooeasydoubtlessitisararethingnoiddleselfutterlyselftotheprofessionoflettersandthereistherootofthetter;etoberegnizedasaprofession,alstasityfriendlessinthestreetstheysetthatpossibilityagainsttheallbutcertaintyoftheirpresentprospectfattydegenerationofthesoul;andisitnotacceptable

    ithoughtofthisasistoodyesterdayyrythesunsetsofalondonautu,thirtyyearsago;reglorious,itseeto,thananyihavesinent,publishedthethingnextday”onbatterseabridge”housureiteanunpleasantsensationnouchasbecauseiehadaspleasantaringasanyneyievereaed

    xxii

    iorethanonedegreeaeanfinaloblivionlikeeveryotheovelistofnote,hehadtirersthoseforthesakeofthatexeusingbooktothoseoreintelligentlyananyaginesthatthispiudiessteadiestsubscriber,thatitghtebetorherandanytrollopeanhatlayupontheunter

    thesurpriseealreadyitseesolongagotheliteraryneostlyhadreferenselftellshohibyaskinghoanythousandedtorevelationsof”literary”thod,andnothinginthatkindtherehaseintoexistentohavedeliberatelysetitselfthetaskofdegradingauthorshipandeverythingnneersentrivanesrethanhispublisher,redresstheane,thepublishergainedbyherbooksiknoanbetteohelessdoiloatheandsiayit,perhaps,behopedthatonceagaintheltitudeehoarketfor”literary”neongersortedayfail

    diultitudinouspublicsaathisdesk,leathoentsbeforehiseyes,andthatblueinkandaquillpenationeverchilltheloyaltyofasinglereaderthereruth,bethepictureofcharlesdickenssittingdooachapterofhiscurrentnovel,andthatof

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