第87节
<TD></TD></TABLE>
epsandhanoverratsisto
perfectlyunintelligible””ibelieve”crieshe,”youdontcare
tohearoebuttheuntryinterestysucceedonedayorother
forallthat””ihelady,”youhinka
littleofyourdaughtersinterest;for,believe,sheisingreater
dangerthanthenation””justnoefor
thinkingonher,andtoyou””andifyouwill
prosetointerposenore,”ansyregard
toniece,undertakethecharge””hen,”saidthe
squire,”foryouknoenaretheproperestto
nageen”
thereadery,perhaps,subduehisoience,ifhesearches
forthisinlton
sutteringsothinghanairof
disdain,nceingenandnagentofthenationshe
iediatelyrepairedtosophiasapartnt,eradays
nfinent,releasedagainfroercaptivity
bookvii
ntainingthreedays
chapter1
aparisonbethehestage
theparedtothetheatre;andnygrave
anlifeasagreat
dra,reseling,inalsteveryparticular,thosescenical
representationsreportedtohaveinvented,
anduchapprobationand
delightinallpoliteuntries
thisthoughthathbeencarriedsofar,andisbeesogeneral,
thatsoothetheatre,andfirst
taphoricallyappliedtotheinatelyand
literallyspokenofboth;thusstageandscenearebynusegrown
asfaliartous,henwe
nfineourselvestodratiances:andransactions
behindtheessisrelikelyto
occurtoourthoughtsthandrurylane
ityseeasyenoughtoacuntforallthis,byreflecting
thatthetheatriorethanarepresentation,or,
asaristotlecallsit,anitationofreallyexists;and
hence,perhaps,ightfairlypayaveryhighplinttothose
itating
life,astohavetheirpicturesinannefoundedh,or
stakenfor,theoriginals
but,inreality,plintstothese
people,entsoftheir
asent;andhavechrepleasureinhissingandbuffeting
thethaninadringtheirexcellencetherearenyother
reasonsoseethisanalogybetheworld
andthestage
sohavensideredthelargerpartofnkindinthelightof
aoretheiroohin
facttheyhavenobettertitle,thantheplayerhathtobein
eaestthoughtthekingoreerorherepresentsthusthe
hypocriteybesaidtobeaplayer;andindeedthegreekscalled
theothbyoneandthesana
thebrevityoflifehathlikeparison
sotheiortalshakespear
lifesapoorplayer,
thatstrutsandfretshishouruponthestage,
andthenisheardnore
forakethereaderandsbya
verynobleone,a
poealledthedeity,publishedaboutnineyearsago,andlong
sinorethangood
n,doalhebad
froheeallhunactionstaketheirsprings,
theriseofeiresandthefallofkings
seethevasttheatreoftidisplayd,
hescenesucceedingheroestread
ptheshiningigessucceed,
ph,andonarchsbleed
perforhepartythyprovidenceassignd,
theirpride,theirpassions,tothyendsinclind:
aheyglitterinthefaceofday,
thenatthynodthephantopassaway;
notracesleftofallthebusyscene,
butthatrerancesaysthethingshavebeen
thedeity
inallthese,hoilitudeoflifeto
thetheatre,thereselancehathbeenalthestage
onlynone,asireer,haveatallnsideredtheaudienceatthis
greatdra
butasnatureoftenexhibitssoofherbestperfocestoavery
fullhouse,soit
theaboventionedparisonthanthatofheractorsinthisvast
theatreoftiareseatedthefriendandthecritic;hereareclaps
andshouts,hissesandgroans;inshort,everythinghwasever
seenorheardatthetheatreroyal
letusexahisinoneexale;forinstance,inthebehaviour
ofthegreataudienceonthatsceneureo
exhibitinthethchapteroftheprecedingbook,whereshe
introducedblackgeorgerunningahisfriendand
benefactor
thoseinthereatedthatincident,
iabr >
ofscurrilousreproachostprobablyventedonthatoccasion
ifothenextorderofspectators,weshould
havefoundanequaldegreeofabhorrence,thoughlessofnoiseand
scurrility;yetherethegoodengaveblackgeorgetothedevil,
andnyofthexpectedeverynutethattheclovenfooted
gentlenchhisown
thepit,asusual,divided;thoseinheroic
virtueandperfectcharacterobjectedtotheproducingsuch
instancesofvillany,veryseverelyforthe
sakeofexalesooftheauthorsfriendscryed,”looke,
gentlen,thenisavillain,butitisnatureforallthat”and
alltheyoungcriticsoftheage,theclerks,apprentices,&c,called
itlow,andfellagroaning
asfortheboxes,theybehavededpoliteness
stofthethingelsesoofthosefeho
regardedthesceneatall,declaredhean;while
othersrefusedtogivetheiropinion,tilltheyhadheardthatof
thebestjudges
noittedbehindthescenesofthisgreattheatre
ofnatureandnoauthoroughttoeanythingbesides
dictionariesandspellingbookshnotthisprivilege,can
censuretheaction,houtnceivinganyabsolutedetestationofthe
person,perh
... </P></TD>
epsandhanoverratsisto
perfectlyunintelligible””ibelieve”crieshe,”youdontcare
tohearoebuttheuntryinterestysucceedonedayorother
forallthat””ihelady,”youhinka
littleofyourdaughtersinterest;for,believe,sheisingreater
dangerthanthenation””justnoefor
thinkingonher,andtoyou””andifyouwill
prosetointerposenore,”ansyregard
toniece,undertakethecharge””hen,”saidthe
squire,”foryouknoenaretheproperestto
nageen”
thereadery,perhaps,subduehisoience,ifhesearches
forthisinlton
sutteringsothinghanairof
disdain,nceingenandnagentofthenationshe
iediatelyrepairedtosophiasapartnt,eradays
nfinent,releasedagainfroercaptivity
bookvii
ntainingthreedays
chapter1
aparisonbethehestage
theparedtothetheatre;andnygrave
anlifeasagreat
dra,reseling,inalsteveryparticular,thosescenical
representationsreportedtohaveinvented,
anduchapprobationand
delightinallpoliteuntries
thisthoughthathbeencarriedsofar,andisbeesogeneral,
thatsoothetheatre,andfirst
taphoricallyappliedtotheinatelyand
literallyspokenofboth;thusstageandscenearebynusegrown
asfaliartous,henwe
nfineourselvestodratiances:andransactions
behindtheessisrelikelyto
occurtoourthoughtsthandrurylane
ityseeasyenoughtoacuntforallthis,byreflecting
thatthetheatriorethanarepresentation,or,
asaristotlecallsit,anitationofreallyexists;and
hence,perhaps,ightfairlypayaveryhighplinttothose
itating
life,astohavetheirpicturesinannefoundedh,or
stakenfor,theoriginals
but,inreality,plintstothese
people,entsoftheir
asent;andhavechrepleasureinhissingandbuffeting
thethaninadringtheirexcellencetherearenyother
reasonsoseethisanalogybetheworld
andthestage
sohavensideredthelargerpartofnkindinthelightof
aoretheiroohin
facttheyhavenobettertitle,thantheplayerhathtobein
eaestthoughtthekingoreerorherepresentsthusthe
hypocriteybesaidtobeaplayer;andindeedthegreekscalled
theothbyoneandthesana
thebrevityoflifehathlikeparison
sotheiortalshakespear
lifesapoorplayer,
thatstrutsandfretshishouruponthestage,
andthenisheardnore
forakethereaderandsbya
verynobleone,a
poealledthedeity,publishedaboutnineyearsago,andlong
sinorethangood
n,doalhebad
froheeallhunactionstaketheirsprings,
theriseofeiresandthefallofkings
seethevasttheatreoftidisplayd,
hescenesucceedingheroestread
ptheshiningigessucceed,
ph,andonarchsbleed
perforhepartythyprovidenceassignd,
theirpride,theirpassions,tothyendsinclind:
aheyglitterinthefaceofday,
thenatthynodthephantopassaway;
notracesleftofallthebusyscene,
butthatrerancesaysthethingshavebeen
thedeity
inallthese,hoilitudeoflifeto
thetheatre,thereselancehathbeenalthestage
onlynone,asireer,haveatallnsideredtheaudienceatthis
greatdra
butasnatureoftenexhibitssoofherbestperfocestoavery
fullhouse,soit
theaboventionedparisonthanthatofheractorsinthisvast
theatreoftiareseatedthefriendandthecritic;hereareclaps
andshouts,hissesandgroans;inshort,everythinghwasever
seenorheardatthetheatreroyal
letusexahisinoneexale;forinstance,inthebehaviour
ofthegreataudienceonthatsceneureo
exhibitinthethchapteroftheprecedingbook,whereshe
introducedblackgeorgerunningahisfriendand
benefactor
thoseinthereatedthatincident,
iabr >
ofscurrilousreproachostprobablyventedonthatoccasion
ifothenextorderofspectators,weshould
havefoundanequaldegreeofabhorrence,thoughlessofnoiseand
scurrility;yetherethegoodengaveblackgeorgetothedevil,
andnyofthexpectedeverynutethattheclovenfooted
gentlenchhisown
thepit,asusual,divided;thoseinheroic
virtueandperfectcharacterobjectedtotheproducingsuch
instancesofvillany,veryseverelyforthe
sakeofexalesooftheauthorsfriendscryed,”looke,
gentlen,thenisavillain,butitisnatureforallthat”and
alltheyoungcriticsoftheage,theclerks,apprentices,&c,called
itlow,andfellagroaning
asfortheboxes,theybehavededpoliteness
stofthethingelsesoofthosefeho
regardedthesceneatall,declaredhean;while
othersrefusedtogivetheiropinion,tilltheyhadheardthatof
thebestjudges
noittedbehindthescenesofthisgreattheatre
ofnatureandnoauthoroughttoeanythingbesides
dictionariesandspellingbookshnotthisprivilege,can
censuretheaction,houtnceivinganyabsolutedetestationofthe
person,perh
... </P></TD>